Creative Work

My creative life and scientific life heavily influence one another.

I create both physical and digital art. Most of my art is relief printing: I carve away parts of a substrate (rubber block, linoleum, wood), roll ink onto the remaining raised portions, and press the image onto paper. I also enjoy creating scientific graphics in Illustrator and PowerPoint. I find that translating science into visuals helps me better conceptualize complex ideas.

A lino print of a c elegans, worm pick, plate, eppi tube, and bunsen burner inspired by American traditional tattoo style

"American Traditional Worm". Logo for the 2025 Bay Area Worm Meeting hosted at Stanford

A lino print depicting a typical lab with a window at the center of perspective

"Daily View". 2025. My view in the Villeneuve Lab.

A lino print depicting 6 stages of DAPI morphology during meiotic progression

"Germ Line Nuclei". 2025. Folds up into a zine displaying meiotic prophase progression of C. elegans nuclei, as visualized by DAPI staining.

A "gig poster" that says "frontiers in biology" at the top, "BOB Goldstein" with a tardigrade, and a subtitle that includes "Emerging Model Organisms".

"Bob's gig poster". 2024. I hosted Bob Goldstein for the Frontiers in Biology seminar at Stanford and just had to create a gig poster for him - as he does for seminar speakers at UNC!

Logo selected for the 2024 Western Society of Naturalists meeting in Portland, Oregon. Collaboration with Dr. Nathan Churches.

Logo I made for the Villeneuve Lab at Stanford shortly after joining as a postdoc.

A flyer for a thesis defense with a pink background and blue nuclei that have green and orange germ granules surrounding them

Defense Poster. 2021.

A gif of Rosalind Franklin's face being made out of molecules. The image is in tones of purple, blue, orange, and yellow.

"Rosalind Franklin". 2020. I used cell paint to create this portrait out of molecules.

A lino print and water color of the C. elegans germline.

"Mutator foci". Cover selected by the journal G3 for Uebel et. al. 2020.

A picture of a piece of teal velvet in a gold frame. The velvet is embossed with images of the c elegans life stages

"Spiral of Life". Uebel and Strome, 2019. A collaboration with Susan Strome for the International Worm Meeting art show – we won first place in mixed media! I designed and carved the block, and Susan embossed it onto velvet.

A lino print of 12 different model organisms, including e. coli, yeast, HeLa cells, c elegans, mice, and zebrafish

"Model Organisms". 2019. Submission for the USC Department Retreat Logo.

A print of c elegans with a red germline that looks like a lava lamp. It is over a teal background with lava lamp outlines

"Lava Lamp Worm". Cover submission for Uebel et. al. 2018, which adds Mutator foci as phase separated germ granules.

A teal and black print of a myosin protein transporting a DNA break to the nuclear periphery along an actin filament

Cover Submission commissioned by Dr. Irene Chiolo for Caridi et. al. 2018: Nuclear F-actin and myosins drive relocalization of heterochromatic breaks.

A black and white print of two c elegans worms

"Before Egg Prep". 2017. I won first prize in mixed media for this print at the International Worm Meeting art show!

A picture of a shirt with print of a fist holding a pipet

"Science is an act of resistance." Shirts and posters printed for the 2017 March for Science.

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